{"id":485,"date":"2016-05-19T14:28:13","date_gmt":"2016-05-19T11:28:13","guid":{"rendered":"http:\/\/2016.finncon.org\/en\/?page_id=485"},"modified":"2016-06-09T04:58:31","modified_gmt":"2016-06-09T01:58:31","slug":"academic-program","status":"publish","type":"page","link":"http:\/\/2016.finncon.org\/en\/program\/academic-program\/","title":{"rendered":"Academic program"},"content":{"rendered":"<p>The academic program track is open to all Finncon attendees.<\/p>\n<p><strong>FANTASTIC VISIONS FROM FAERIE TO DYSTOPIA<\/strong><br \/>\n<strong>FINNCON &#8211; ACADEMIC TRACK 2016<\/strong><br \/>\n<strong>July 2\u20123, 2016, University of Tampere, Finland<\/strong><\/p>\n<p>The Academic Track is organized by <a href=\"https:\/\/www.uta.fi\/ltl\/dystopiaprojekti\/english.html\">Dystopia-project<\/a> and <a href=\"http:\/\/finfar.org\/en\/\">FinFar<\/a><\/p>\n<p><strong>Location: <\/strong>University of Tampere, Main building (P\u00e4\u00e4talo), Kalevantie 4, lecture hall D11.<br \/>\nAll sessions, including keynote lecture, will be held in D11.<\/p>\n<p>Abstracts for the papers presented in the academic can be found\u00a0<a href=\"http:\/\/2016.finncon.org\/wp-content\/uploads\/2016\/05\/Finncon_2016_Academic-Track_abstrbooklet.pdf\">here<\/a>.<\/p>\n<p><strong>SATURDAY, JULY 2<\/strong><br \/>\n<strong>Main building, D11<\/strong><\/p>\n<table style=\"width: 850px; border: none;\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\">\u00a0<strong>10.30 &#8211; 12.00<\/strong><\/td>\n<td style=\"width: 467.983px; border: none; outline: none; text-align: left;\"><strong>SESSION I: ECODYSTOPIAS, HUMAN AND THE NON-HUMAN<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\">\u00a010.30 &#8211; 11.00<\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\">Juha Raipola: Eco-Dystopia \u2013 An Unresolvable Paradox?<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\">\u00a011.00 &#8211; 11.30<\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\">Jouni Teittinen: Maps, Ruins and the Geological Sublime: On the Inhuman<br \/>\nScales of Post-Apocalyptic Literature<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\">\u00a011.30 &#8211; 12.00<\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\">Maria Laakso: Outlaws of the Nature: Representation of Humans in Richard<br \/>\nAdams\u2019 Watership Down and other Animal Dystopias<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none;\"><\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\"><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\"><strong>\u00a012.00 &#8211; 13.00<\/strong><\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\"><strong>LUNCH BREAK (self-financed)<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none;\"><\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\"><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\"><strong>13.00 &#8211; 14.30<\/strong><\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\"><strong>KEYNOTE LECTURE: RAFFAELLA BACCOLINI: <\/strong><br \/>\nDare to Disturb: Reading (Un)Happy Endings in Young Adults\u2019 Dystopia<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none;\"><\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\"><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\"><strong>\u00a014.45 &#8211; 16.15<\/strong><\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\"><strong>SESSION II: UTOPIAN AND DYSTOPIAN IMPULSES<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\">\u00a014.45 &#8211; 15.15<\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\">Esko Suoranta: Unpredictable Spillage: Virtual Reality as Compromised<br \/>\nUtopia in Thomas Pynchon\u2019s Bleeding Edge<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\">\u00a015.15 &#8211; 15.45<\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\">Kaisa Kaukiainen: Young adult dystopias \u2013 resistance movements as salvation<br \/>\nreligions: Examples from popular YA trilogies The Hunger Games, Delirium and Divergent<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\">\u00a015.45 &#8211; 16.15<\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\">Sarianna Kankkunen: On The Fringes of a New Future: Borders and Frontiers<br \/>\nin Maarit Verronen\u2019s Novel Kirkkaan selke\u00e4\u00e4<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none;\"><\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\"><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\"><strong>\u00a016.30 &#8211; 18.00<\/strong><\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\"><strong>SESSION III: EMOTIONS AND THE READER<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\">\u00a016.30 &#8211; 17.00<\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\">Merja Polvinen: Temporal Experiments and Narrative Emotions in Ted<br \/>\nChiang\u2019s \u201cStory of Your Life\u201d<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\">\u00a017.00 &#8211; 17.30<\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\">Saija Isomaa: Dissecting \u201cthe canary in a cage\u201d:Dystopian fiction as affective<br \/>\ncommunication<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\">\u00a017.30 &#8211; 18.00<\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\">Nicholas Wanberg: When the Nazis Conquer the Racists: Reading the<br \/>\nHierarchies of Harry Potter&#8217;s Dystopian Finale<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>SUNDAY, JULY 3<\/strong><br \/>\n<strong>Main building, D11<\/strong><\/p>\n<table style=\"width: 850px; border: none;\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\">\u00a0<strong>10.00 &#8211; 11.30<\/strong><\/td>\n<td style=\"width: 467.983px; border: none; outline: none; text-align: left;\"><strong>SESSION IV: FROM FAERIE TO&#8230;<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\">\u00a010.00 &#8211; 10.30<\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\">Fodor Andr\u00e1s: The nature of heroism in Catherynne M. Valente&#8217;s Fairyland<br \/>\nseries<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\">\u00a010.30 &#8211; 11.00<\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\">Joan Passey: Afraid of the Dark: The Horror within Cornwall&#8217;s Subterranean<br \/>\nFairy Tales and Folklores<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\">\u00a011.00 &#8211; 11.30<\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\">Hanna Samola: Werewolf Myths and Fairy Tale Motifs in a Dystopian<br \/>\nNovel The Core of the Sun by Johanna Sinisalo<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none;\"><\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\"><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\"><strong>\u00a011.30 &#8211; 12.30<\/strong><\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\"><strong>LUNCH BREAK (self-financed)<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none;\"><\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\"><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\"><strong>12.30 &#8211; 14.00<\/strong><\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\"><strong>THE WORLD HOBBIT PROJECT -PANEL<\/strong><br \/>\nIrma Hirsj\u00e4rvi, Aino-Kaisa Koistinen, Jyrki Korpua,\u00a0Maria Ruotsalainen, Tanja V\u00e4lisalo:<br \/>\nThe Book, the Film, and Audience Responses \u2012 First Results of the Finnish<br \/>\nSub-Project of The World Hobbit Project<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none;\"><\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\"><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\"><strong>\u00a014.15 &#8211; 15.45<\/strong><\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\"><strong>SESSION V: MONSTERS, HUMAN AND THE NON-HUMAN<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\">\u00a014.15 &#8211; 14.45<\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\">Kaisa Kortekallio: Ending the World of Humans. Jeff VanderMeer\u2019s<br \/>\nSouthern Reach and Timothy Morton\u2019s Dark Ecology<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\">\u00a014.45 &#8211; 15.15<\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\">Marjut Puhakka: Living the end times: the decline of the humanity and<br \/>\nthe rise of the zombies<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\">\u00a015.15 &#8211; 15.45<\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\">Sari Piittinen: Gothic Monstrosities in the Post-apocalyptic Digital<br \/>\nGame World of Fallout 3<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none;\"><\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\"><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\"><strong>\u00a016.00 &#8211; 17.30<\/strong><\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\"><strong>SESSION VI: CATASTROPHES AND ECODYSTOPIAS<\/strong><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\">\u00a016.00 &#8211; 16.30<\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\">Essi Vatilo: Catastrophe as a Recipe for Social Change in Dan Simmons\u2019 The<br \/>\nFall of Hyperion<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\">\u00a016.30 &#8211; 17.00<\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\">Toni Lahtinen: The Ecologization of Myths in Johanna Sinisalo\u2019s<br \/>\nEcodystopias<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 61.0167px; border: none; outline: none; text-align: right;\">\u00a017.00 &#8211; 17.30<\/td>\n<td style=\"width: 467.983px; border: none; outline: none;\">Mikko M\u00e4ntyniemi: Alone at the End of Time \u2013 The Role of the<br \/>\nActive Subject in the Creation of the Apocalyptic Narratives<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Please note that changes may occur.<\/p>\n<p>The Academic Track is made possible by Kone Foundation that funds the dystopia project.<br \/>\n<a href=\"http:\/\/2016.finncon.org\/wp-content\/uploads\/2016\/05\/Purple-KoneFoundation-logo.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-medium wp-image-616\" src=\"http:\/\/2016.finncon.org\/wp-content\/uploads\/2016\/05\/Purple-KoneFoundation-logo-300x113.jpg\" alt=\"Kone Foundation\" width=\"300\" height=\"113\" srcset=\"http:\/\/2016.finncon.org\/wp-content\/uploads\/2016\/05\/Purple-KoneFoundation-logo-300x113.jpg 300w, http:\/\/2016.finncon.org\/wp-content\/uploads\/2016\/05\/Purple-KoneFoundation-logo-768x289.jpg 768w, http:\/\/2016.finncon.org\/wp-content\/uploads\/2016\/05\/Purple-KoneFoundation-logo-1024x386.jpg 1024w, http:\/\/2016.finncon.org\/wp-content\/uploads\/2016\/05\/Purple-KoneFoundation-logo-800x301.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The academic program track is open to all Finncon attendees. FANTASTIC VISIONS FROM FAERIE TO DYSTOPIA FINNCON &#8211; ACADEMIC TRACK 2016 July 2\u20123, 2016, University of Tampere, Finland The Academic Track is organized by Dystopia-project and FinFar Location: University of &hellip; <a href=\"http:\/\/2016.finncon.org\/en\/program\/academic-program\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":241,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/2016.finncon.org\/en\/wp-json\/wp\/v2\/pages\/485"}],"collection":[{"href":"http:\/\/2016.finncon.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/2016.finncon.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/2016.finncon.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/2016.finncon.org\/en\/wp-json\/wp\/v2\/comments?post=485"}],"version-history":[{"count":10,"href":"http:\/\/2016.finncon.org\/en\/wp-json\/wp\/v2\/pages\/485\/revisions"}],"predecessor-version":[{"id":765,"href":"http:\/\/2016.finncon.org\/en\/wp-json\/wp\/v2\/pages\/485\/revisions\/765"}],"up":[{"embeddable":true,"href":"http:\/\/2016.finncon.org\/en\/wp-json\/wp\/v2\/pages\/241"}],"wp:attachment":[{"href":"http:\/\/2016.finncon.org\/en\/wp-json\/wp\/v2\/media?parent=485"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}